Bootleg Theater, talent-buyer The Fold to part ways at end of June; venue to resume concerts in late July

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bootlegexteriorThe Bootleg Theater and veteran talent buyer Scott Sterling, who does business as The Fold, are ending their six-year relationship at the end of June, with the Beverly Boulevard venue planning to bring on an in-house booker for music.

“I think we’re ready to grow in a new direction,” says the venue’s co-owner Jason Adams. “Bringing everything in-house and having more creative control will help with that. I think [the arrangement with The Fold] has been good for us and good for Scott. We had a very productive relationship.”

Over almost two decades, The Fold has booked shows at the Silverlake Lounge (a partnership that ended in 2012), Silver Lake’s El Cid, downtown’s Bordello, Hollywood’s King King and Los Feliz’s the Derby and Tangier.

Sterling could not immediately be reached for comment about the Fold’s future.

The final Fold show currently scheduled at the Bootleg is the last night of Hunny’s residency on June 22. Adams said the venue will be dark for much of July while he hires new staff, that staff gets settled and a sound system is installed — most of the gear currently used for shows in the Fold’s.

The Bootleg’s unique set-up makes it two rooms in one — the larger Theater is used primarily for stage productions, although it has hosted some memorable concerts, with the front room, which became known as the Bootleg Bar, hosting shows on an almost nightly basis.

Adams, an actor and set designer, says he hopes future programming at Bootleg will explore “the pollination between theater and music” as well as just concert fare. Among the immediate changes: The Bootleg will have a full bar rather than its current beer-and-wine-only fare. The venue’s back patio is undergoing renovation to improve soundproofing as well.

Adams and his wife Alicia Hoge-Adams first took control of the 1930s-era warehouse space at 2220 Beverly Blvd. in 2000, as the small-theater hub the Evidence Room. It was rechristened the Bootleg Theater in 2006.

“It’s a little bit like a divorce,” Adams said of the change, noting the inherent difficulty in having a talent buyer and venue owner work as separate business entities. “It was always confusing for both our patrons and the bands.”