Ears Wide Open: Elohim
Kevin Bronson on
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Electo-pop siren Elohim has been all the rage based on her first four songs and mystery-identity campaign. So who is the woman behind the mask? Oh …
Electo-pop siren Elohim has been all the rage based on her first four songs and mystery-identity campaign. So who is the woman behind the mask? Oh …
Ahead of his summer tour dates (including June 18 at the Getty), Moses Sumney unveils “the (bedroom) studio version” of live favorite “Everlasting Sigh.”
Johnson & McAuley: Not a law firm, but the musical alliance of Alexz Johnson and Bleu McAuley, who find common ground in ’80s New Wave.
Experimental electronic musician THIEF steals from scared chant music, manipulating it into dark tomes for anybody who’s ever “danced and cried in a haunted church.”
Funeral Club’s new EP, their first release in three years, finds the husband-and-wife duo of Joseph and Jenny Andreotti as haunting as ever.
Dios unveils an epic eight-minute jam along with the bulletin that a new album, their first since 2009, is in the works.
Singer-guitarist Rachel Fannan’s new project is a good ol’ power trio, who let it rip on the riffy first single “Teenage Tomb.”
T.O.L.D. — aka transplanted Englishman Dan Smith — ponders a larger existential question on his new single, on which he is backed by a gospel choir.
Songwriting/production duo The Gifted will release a six-song EP featuring the talents of six different vocalists. In the first single, Leah Hayes sings about being wild and lost.
Fitz & the Tantrums third album, a self-titled affair and the follow-up to “More Than Just a Dream,” will be out June 10 via Elektra Records.