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Tonight in L.A.: Oblivians, NKOTB, Guy/Tony! Toni! Tone!, Linda Perhacs, Karla Bonoff/Wendy Waldman, Go Betty Go, Froth, Son Ark

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Happy Friday … Or, What Decade Is It, Anyway? ‣ Resurgent ’90s garage-punk trio the Oblivians [pictured], whose new album “Desperation” (their first in 15 years, and produced by Dan Auerbach) was just released, headlines Murica Fest at the Echoplex, supported by Intelligence, Milk Music, Destruction Unit, Fuzz, Kent State, the Lamps, Hausu and FF. […]

Stream: The Happy Hollows, ‘Galaxies’

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The Happy Hollows took a little time off from the scene after their 2009 debut “Spells.” Frontwoman Sarah Negahdari even released solo material under the moniker Pisces before taking off with Silversun Pickups to fill in for bassist Nikki Monninger, but that doesn’t mean the band hasn’t had new music in the works. Last year […]

Download: Joey Bada$$, ‘Summer Knights’ mixtape

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On the strength of the previously released “Word Is Bond,” “95 Til Infinity” and “Unorthdox,” 18-year-old Brooklyn rapper Joey Bada$$ continues to impress with his new mixtape “Summer Knights.”Â  To say he possesses “the gift of gab” does little to sum up the talent and effortless flow Joey holds, as he constantly weaves rhymes full […]

Stream: Dessa, ‘Warsaw’

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Minneapolis, MN’s Dessa is a wordsmith whose pursuits include spoken word, creative non-fiction, and hip-hop. A part of the Doomtree collective, as well as on the Doomtree label, she was the valedictorian of her high school, Minneapolis Southwest, and graduated college with honors a year early with a degree in philosophy. It shows in the […]

Video: The Orwells, ‘Blood Bubbles’

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What’s that you ask? When did teenage punk rockers the Orwells turn into a female doo-wop trio? No, the young Chicago-based quartet aren’t actually the stars in this video, but the melodies and lyrics sure do come through even when a girl group is relaying the message. There’s a morbid touch here and there, but […]

Stream: Chelsea Wolfe, ‘The Warden’

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Chelsea Wolfe arrived to the L.A. music scene equipped with a gothic sheen that would ease listeners into her morose reality. Her pop noir initially seemed a Stevie Nicks prototype but as she followed up her 2010 debut “The Grime and the Glow” with 2011’s howling “Apokalypsis” and then last year’s “Unknown Rooms: A Collection […]

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