Glitz meets grit on the new singles from Maraschino, the disco-pop project of Piper Durabo (ex-Puro Instinct). She channels Debbie Harry and Marie Antoinette on the new video for “Hi Desire,” the second single from the debut Maraschino album, “Hollywood Piano” (out in March).
Wam Dingis’ video for the single “Gallery Girl” is a wry send-up of the gallery scene, complete with trippy animation.
Pigeon Club’s “Is Will Soon Be Was,” the project’s first single since last year’s debut album, is a jangling burst of power-pop revivalism that contemplates the inevitability of change.
Dream-pop duo the Know return with “Used to Be,” their first music in 2 1/2 years and a hazy dissection of relationships battered and bruised by the pandemic.
“How You Like” is the first single from Meija’s debut full-length, “Do Ya?,” which comes out in March.
The video for Giant Waste of Man’s “Creditor” is the last in a trilogy directed by Michael Feerick (of Amusement Parks on Fire). Watch Cameron Dmytryk cruise happily through Highland Park.
Since signing to Epitaph Records in June, Chad Tepper has hit the ground running, releasing four singles of hard and sometimes humorous pop-punk.
Pop singer-songwriter Lila Drew imagines her possibilities on her debut album, “All the Places I Could Be,” released last week. Start with the video for the lead track, “Used To.”
L.A. duo Sneakpeek tap into the euphoria of underground disco on “Dreams That You Discarded,” their first release in nine years.
Death Valley Girls’ lightning-strike of a new single, “What Are the Odds,” suggests that this whole thing we call life might just be a simulation. The band’s new album, “Islands in the Sky,” is out in February via Suicide Squeeze.
